POSEÍDA POR EL AMOR (Spanish Edition)
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At the age of eight, she was creating serialised bedtime stories, featuring make-believe adventures, for her younger sister Prue, who was always the heroine. In those days the books could only be obtained via private lending libraries, and she quickly became a devoted fan, and was thrilled to bits when the books went on full sale, in shops and she could have them for keeps. She married Steve Halsall, an accountant and a "lovely man", who smoked and drank too heavily, suffered oral cancer with bravery and dignity.
Out of his own money, and at a time when he could ill afford it, her late husband bought her the small electric typewriter on which she typed her first novels.
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Her husband died at the beginning of the 21st century. She has earned a living as a writer since the s when, as a shorthand typist, she entered a competition run by the Romantic Novelists' Association. Although she didn't win, Penny found an agent who was looking for a new Georgette Heyer. She published four regency novels as Caroline Courtney, before changing her nom de plume to Melinda Wright for threebair-hostess romps and then she wrote two thrillers as Lydia Hitchcock. However, for her present historical romance novels, she has adopted her mother's maiden-name to become Annie Groves. Almost 70m of her Mills and Boon novels have been sold worldwide.
And a shadow is cast on devotion. She is the one that I adore. Queen of my silent suffocation. Break this bittersweet spell on me. Lost in the arms of destiny. Perdido en los brazos del destino.
I won't give up. I'm possessed by her. I'm bearing a cross. She's turned into my curse. Bittersweet, I want you. Agridulce, te quiero te quise. INO Thou hast undone me! Can he, or she thy woes relieve, Or I? Of whom dost thou complain? INO Of all! But all, I fear, in vain. Thunder is heard at a distance and the fire is extinguished on the altar No. Some god averse our holy rites controls; O'erwhelm'd with sudden night the day expires, Ill-boding thunder on the right hand rolls, And Jove himself descends in show'rs To quench our late propitious fires.
Flames are rekindled on the altar No. The fire is again extinguished Again the sickly flame decaying dies: Juno assents, but angry Jove denies. A loud clap of thunder; the altar sinks No. This dreadful conflict is of dire presage, Begone, and fly from Jove's impending rage! Exeunt Scene 2 Athamas and Ino No. From love, from hope, from near possession torn, And plung'd at once in deep despair!
Turn, hopeless lover The gentle maid, in tender pity, Weeps to behold my misery! So Semele would melt To see ano ther mourn. Whence could proceed such tenderness? Whence such compassion? Insensible, ingrate, Ah no, I cannot blame thee! For by effects, unknown before, Who could the hidden cause explore, Or think that love could act so strange a part, To plead for pity in a rival's heart? Guilt upbraiding, Shame invading, You've undone me, Look not on me! Cease to shun me. Scene 3 To them Enter Cadmus, attended No.
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Ah me, of parents most forlorn! Prepare, O Athamas, to prove The sharpest pangs that e'er were borne, Prepare with me our common loss to mourn! Scarce we the brazen gates had pass'd, When Semele around her head With azure flames was grac'd, Whose lambent glories in her tresses play'd. While this we saw with dread surprise, Swifter than lightning downward tending, An eagle stoop'd, of mighty size, On purple wings descending, Like gold his beak, like stars shone forth his eyes, His silver plumy breast with snow contending.
Sudden he snatch'd the trembling maid, And soaring from our sight convey'd, Diffusing ever as he less'ning flew Celestial odour and ambrosial dew. INO To me I hope, of fortunate event! Jove salutes the Theban king! Cease your mourning, Joys returning, Songs of mirth and triumph sing!
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Hail Cadmus, hail! On her bosom Jove reclining, Useless now his thunder lies; To her arms his bolts resigning, And his lightning to her eyes. Juno and Iris descend in different machines. Juno in a chariot drawn by peacocks; Iris on a rainbow; they alight and meet No. High on the summit of that hill, Beyond the reach of mortal eyes, By Jove's command and Vulcan's skill, Behold a new-erected palace rise!
On her pleasure, Jove requiring, All the Loves and Graces wait.
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Seize, destroy the cursed Semele! Scale proud Cithaeron's top, Snatch her, tear her in thy fury, And down to the flood of Acheron Let her fall, let her fall, fall, fall, Rolling down the depths of night, Never more to behold the light. If I th'imperial scepter sway, I swear By hell! Herself Tremble, thou universe, this oath to hear! To Iris Not one of curst Agenor's race to spare. At each approach they lash their forky stings And clap their brazen wings; And as their scaly horrors rise, They all at once disclose A thousand fiery eyes Which never know repose. O'er Scythian hills to the Maeotian lake A speedy flight we'll take!
There Somnus I'll compel His downy bed to leave, and silent cell; With noise and light I will his peace molest, Nor shall he sink again to pleasing rest, Till to my vow'd revenge he grants supplies, And seals with sleep the wakeful dragons' eyes.
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Exeunt Scene 2 An apartment in the palace of Semele. New desire I'll inspire, And revive the dying flames. Dance around her While I wound her, And with pleasure Fill her dreams. O sleep, again deceive me, To my arms restore my wand'ring love! Scene 3 To them enter Jupiter No. Though this human form I wear, Think not I man's falsehood bear.
And what joy the nymph's appearing After absence or despair! What gentle sorrow Swells thy soft bosom? Why tremble those fair eyes With interrupted light, Where hov'ring for a vent, Amidst their humid fires, Some new-form'd wish appears? Speak, and obtain!
It gives the lover double pain Who hears his nymph complain, And hearing, must refuse her. I must While I retire, rise and meet her, And with welcomes greet her. Now all this scene shall to Arcadia turn, The seat of happy nymphs and swains; There without the rage of jealousy they burn, And taste the sweets of love without its pains. Where'er you tread, the blushing flow'rs shall rise, And all things flourish where'er you turn your eyes.
Exit Scene 4 Semele and Ino meet and embrace. Chorus of Nymphs and Swains No.