Matrimonio con inganno (Italian Edition)

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Composed Fentone Music F Published by Fentone Music HL. Vocal and Piano Soprano and Piano. By Various Artists. Edited by Gabriella Ravazzi. Opera or Operetta. Score Only. Ricordi NR Published by Ricordi HL. Composed by George Frideric Handel Edited by Donald Burrows. Arranged by Andreas Kohs.


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This edition: urtext edition. Barenreiter Urtext. Vocal score. HWV Baerenreiter Verlag BA Published by Baerenreiter Verlag BA. Composed by Various. Edited by Sauro Sili. Piano Collection. Collection, Classical. Ricordi ML Edited by Joan Sutherland and Richard Bonynge. Boosey and Hawkes Voice.

Book Only. High voice and piano accompaniment C. Edited by Damian Cranmer.

Gioacchino Antonio Rossini (composer) - Buy recordings | Presto Classical

With introductory text, vocal melody and translations. Classical Period. Score, Set of Parts. Published by Music Macri Editions S0. Arranged by Toni, Alceo , Editor. In ricordo di Michele Luzzati , Florence, , p. Bonazzoli, Adriatico e Mediterraneo orientale. Calcaterra, Corti e cortigiani nella Roma barocca , Rome, Roma storia, cultura, immagine , Cluse, Jewish moneylending in dominican preaching, confession, and counselling.

Some examples from later medieval Germany , in E. Miletto eds. Jahrhundert , Berlin, , p. Cohen, Jewish and Roman law: a comparative study. Cohen, The beginnings of Jewishness: boundaries, varieties, uncertainties , Berkeley, Colorni, Legge ebraica e leggi locali.

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Colorni, Gli ebrei nel sistema del diritto comune fino alla prima emancipazione , Milan, Storia Finanz. Ferrante, M. Palazzi, G. Pomata eds. Cavaciocchi ed. De Luca, Il Dottor volgare, ouero Il compendio di tutta la legge civile, canonica, feudale, e municipale, nelle cose piu ricevute in pratica; moralizato in lingua italiana per istruzione, e comodita maggiore di questa provincia , Rome, Di Segni, Il padre assente. Fine, A. Groppi, Femmes, dot et patrimoine , in Clio Hist. Francesconi, Jewish women in early modern Modena: individual, household and collective properties , in J.

Sperling, S. Wray eds. Women, property, and law in the wider Mediterranean ca.

Frank, Jewish women and property in fifteenth-century Umbria , in J. Lineamenti e prospettive di ricerca , in A. Gasperoni, La misura della dote. Graziani Secchieri ed. Spazi pubblici e privati, fisici e virtuali della donna ebrea in Italia secc. XV-XX , Florence, , p. Goldberg, Lien de sang — lien social. Grassi, Gli ebrei a Roma nei primi decenni del Settecento , in P. Alatri ed. Groppi, Numerare e descrivere gli ebrei del ghetto di Roma , in A.

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Ligorio, Le reti economiche e sociali degli ebrei nella Repubblica di Ragusa e la diaspora commerciale sefardita. Muzzarelli, G. Todeschini eds. Vivanti ed. Galasso ed. Aux origines de la condition juive , Paris, Milano, Storia degli ebrei in Italia , Turin, Moioli, F. Piola Caselli eds.

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Procaccia, Banchieri ebrei a Roma. Caffiero, A. Esposito eds. Roma e i suoi ebrei: una storia secolare. Rabello, Introduzione al diritto ebraico: fonti, matrimonio e divorzio, bioetica , Turin, Baumgarten, A. Raz-Krakotzkin, R. Weinstein eds. Essays in honor of Robert Bonfil , Jerusalem, , p. Stow, S. Toaff, Il ghetto di Roma nel Cinquecento: conflitti etnici e problemi socioeconomici , Ramat-Gan, Bonte, E. Wilgaux eds. Some of the singers are better than others, but what is consistent is the fine leadership of Marcello Viotti, who understands the style and idiom perfectly, and while going for lightness and humor he never underlines the slapstick.

Even this early in Rossini's career he loved emphasizing the woodwinds, and Viotti showcases those special moments too. He paces the recitatives sometimes a third of the opera naturally, and his all-Italian casts handle them with ease and poise. The English Chamber Orchestra plays with lightness of touch and vivacity throughout.

In general, the lower-voiced men do the most impressive singing, with Bruno Pratico in both Cambiale and Bruschino and Natale de Carolis in L'inganno felice, Bruschino, and L'Occasione particularly good in their patter music and bright in their characterizations. Alessandro Corbelli shines in La scala di seta all around the best-cast of the operas, with Ramon Vargas the youthful, golden-voiced tenor.

Alessandra Rossi is nasty-sounding in Cambiale there was an old recording of this opera on Mercury with Renata Scotto that's worth seeking out and Amelia Felle is similarly shrill in L'Inganno felice. The tenors are a real problem: someone named Iorio Zannaro is in two of the operas, and it's no surprise we've heard little of him since; and aside from Vargas, only Luca Canonici in Bruschino is any good.