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Showing of 4 reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Format: Kindle Edition Verified Purchase. It is interesting the way gender has shaped the very function and approach to science and technology. This work really opens your eyes to societal pitfalls and what needs to be changed to make things better.
Great insights on gender relations and technology usage! Format: Paperback Verified Purchase. Item as described, fast shipping. The book was in good condition, just as ordered. It arrived timely and worked out great. There were no complications and it was an easy buy. B rate satisfaction. I found out from my professor that she had made a mistake and this was not the right book, so I had to return the book though : But it was easy to return, and all I had to pay was for the retun shipping cost.
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Learn more about Amazon Prime. Get fast, free delivery with Amazon Prime. Back to top. The intervention of women outside the technological sphere, like from members of the women's health movement, and public health activists also aided in the tool's development. Combined oral contraceptive pills were first approved for use in the United States in , during the time of the women's liberation movement. The birth control pill helped make it possible for more women to enter the workforce by giving them the ability to control her own fertility.
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Decades prior to this, activists such as Margaret Sanger and Katharine McCormick fought for female contraceptives, seeing it as a necessity for the emancipation of women. The male domination of these fields led technologies such as oral contraceptives to be developed around what men considered to be universal, defining characteristics of women these being their sex and reproductive capabilities.
The development of reproductive technologies blur the lines between nature and technology, allowing for the reconfiguration of life itself. Through the advances of genetic technologies, the controlling of pregnancy, childbirth, and motherhood has become increasingly possible through intrusive means. These advances in biotechnology are serving to develop life as a commodity and deepen monetary inequality - a link made by feminist theorists such as Donna Haraway. Haraway instead chooses to embrace technology as feminist instead of reverting to this idea of naturalized femininity.
The corporatization of biology through the alteration of nature through technology is also a theme explored by Haraway. The OncoMouse is a laboratory mouse genetically modified to carry a specific gene which increases the creature's chance of developing cancer. Until , American conglomerate DuPoint owned the patent to the OncoMouse, reconfiguring and relegating life to a commodity. Increasing breast cancer rates in Black women are discussed in eco-feminist analysis of the modification of lab animals from breast cancer research to being the discussion into an ethically ambiguous space.
Haraway in particular raises the question of whether modifying and expending a live commodity like OncoMouse is ethical if it leads to the development of a cure for breast cancer.
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The reconfiguring of life in biotechnologies and genetic engineering allow for a precedence to be set, leading to capitalist cultural consequences. Through these technologies technoscience becomes naturalized, and also becomes increasingly subject to the process of commodification and capital accumulation in transnational capitalist corporations. This also develops life and nature as a thing to be exploited by capitalism.
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Project MUSE - TechnoFeminism (review)
Archived from the original PDF on Social Studies of Science. Bibcode : SoStS.. Feminist STS has long established that science's provenance as a male domain continues to define what counts as knowledge and expertise. Wikipedia, arguably one of the most powerful sources of information today, was initially lauded as providing the opportunity to rebuild knowledge institutions by providing greater representation of multiple groups.
However, less than ten percent of Wikipedia editors are women. Our main objective In sum, our aim here is to present a consolidated analysis of the gendering of Wikipedia. Within 24 hours, hundreds of thousands of survivors of sexual violence responded—using the hashtag WhyIDidntReport—with reasons they waited or never reported perpetrators. Clearly, the many engaged and active folx within the public sphere have determined the time is right to take to digital platforms to organize and resist systemic and systematic oppression against women and non-binary people and our intersectional identities, bodies, and rights.
This move is reminiscent of the early days of the World Wide Web when feminists harnessed its potential to build online communities and organizations.
In , Marianne Schnall and a few other women launched Feminist. These and other gendered, contested, and politicized online spaces was both engaged by and further inspired early technofeminist work in rhetoric and writing studies. Sullivan, ; L. Sullivan, Technofeminist scholarship in the s and s surfaced, highlighted, and explored cases of digital oppression, resistance, transgression, and empowerment, thus clearing a path for current technofeminists in computers and writing studies to better understand and negotiate the power dynamics at play with redressing access biases and reimagining more just technology design and pedagogy.
The contributors to this special issue extend conversations in technofeminism, digital rhetorics, and computers and writing, with an increased attention to intersectionality. This is precisely what Julie Collins Bates, Francis Macarthy, and Sarah Warren-Riley argue in their webtext: Make intersectionality more explicit in our current technofeminist rhetorical analyses of digital embodiment and access. Specifically, they ask that we pay attention to how access—or lack thereof—to power and agency influences the transformative potential of digital technologies for those marginalized by race, socioeconomic status, gender, citizenship, age, and disability, and they provide micro case studies of intersectional technofeminist approaches to multimodal activism and augmented reality.
Bridget Gelms and Dustin Edwards offer a technofeminist framework for investigating the rhetorics of digital platforms in ways that critically analyze the social inequalities, labor, material infrastructures, networks of support and activism, and lived experiences afforded and constrained therein.
Further, they ask productive questions that open additional spaces for better understanding and redressing how networks of power and oppression work in scholarly, classroom, community, civic, and public spaces. Needless to say, technofeminist critique should lead to productive technofeminist intervention and design. Trish Fancher shares her technofeminist rhetoric of design that brings together her multiple selves into a single space. Rounding out this special issue are, first, a multivocal, intergenerational conversation about technofeminism, and, second, a list of digital technofeminist resources crowdsourced during the production of these special issues of Computers and Composition and Computers and Composition Online.
Our dialogue was shaped by these guiding questions, as well as follow-up questions inspired along the way:. What are your hopes for the future and legacy of your own technofeminist work? The final piece in this issue is collaborative webtext of technofeminist resources—materials, models, citations, projects, etc.