Magic and Showmanship: A Handbook for Conjurers (Dover Magic Books)

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A Newbery Medal WinnerAlthough she is the daughter of Damar's king, Aerin hasn't ever been approved as complete royalty. Show sample text content. The citation on p. Louis Tannen, the current proprietor of the copyright, graciously gave me permission to take advantage of it. In , French North Africa used to be as disturbed because it is this day. The French govt displayed mind's eye nearly distinctive in legit circles and despatched a conjurer, Robert-Houdin, to discredit the marabouts through outdoing their magic.

The marabouts had a trick which it sounds as if proved that no pistol geared toward them might hearth. The French conjurer countered via letting a marabout shoot at him and catching the bullet in an apple caught close to a knife. The assembly happened in an open sq. The sq. The marabout produced his pistols which he loaded with powder. He provided Robert-Houdin a handful of bullets.

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Magic and Showmanship: A Handbook for Conjurers

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Sort order. Nov 05, Chris Bauer rated it really liked it. This book actually came as a recommendation from a writing workshop I attended last month.

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I was a little puzzled at first but dove right in. The writing is a little dated and some of the tricks are well beyond my meager skills of sleight of hand, but the important information in the book wasn't actually doing illusions. It happens to provide an invaluable viewpoint on how to truly weave a good story. The setup, the hook, the pull, the build, the tension, characters, and climax. Took me a little w This book actually came as a recommendation from a writing workshop I attended last month.

Took me a little while to "get it" but it worked!

Magic and Showmanship: Classic book about conjuring has many lessons for writers

As an aside, one of the best quotes I've heard about writing came about indirectly from this work. If you know 50 sleights but only 1 way to show, you know ONE trick. Aug 03, Randy Hulshizer rated it liked it. This book has some great chapters that will be of interest to magicians of all levels; however, the material in the book is a bit dated and is slanted heavily toward mentalism and comedy magic.

May 27, Karl rated it liked it. I bought this book years ago after attending a lecture on magic. Unfortunately, the book which was last updated in has not aged well. The casual sexism, ageism, and Eurocentric narrative won't fly with modern audiences. I did enjoy some of the technical elements of the sample magic tricks. You might know how these things work, but seeing how simple constructions of paper, thread, and paint can create basic illusions was a nice throwback to those magic shops you can still find in some city I bought this book years ago after attending a lecture on magic.

You might know how these things work, but seeing how simple constructions of paper, thread, and paint can create basic illusions was a nice throwback to those magic shops you can still find in some city tourist stops. I think the real strength in this book is its discussion of presentation and audience, showmanship and theatre.

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The comparisons between traditional theatre and stage conjuration provide some nice insight to the writers of fiction. There are other books that teach this lesson in more focused and less offensive light, however, so it might be best to see this as a historical document rather than a primer. Jun 12, Mary Catelli rated it it was amazing Shelves: how-to-write , nonfiction-other , primary-source.

This is a how-to-write book. I even picked it up because it was recommended as such.


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Since it was published in and is still in print, it's probably a good book on being a conjurer, for reference or if you want to do it. I can't recommend it as such, as I read to learn how to write. Where it is good. The source of information, where all eyes ought to be. Devising your magic system where the author cites fantasy literature as much better than most conjurers , giving characters roles an This is a how-to-write book. Even when he talks about misdirection -- writers want to misdirect. Not so overtly, but you want to be able to set things up without the reader going -- look, setup!

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